Faculty & Staff |
Administration
Andy Anselmo – Founding Director
Don Rebic – Artistic Director
Angelique von Thun – School Administrator
Board of directors
Faculty
Robin Aleman - Private
Voice Lessons; Fordham University
Jad Bernardo - Private Coaching, Accompanist; University of Tennessee, Florida State University, Carnegie Hall
John Capes - Voice Technique & Musicianship Skills, Performance Techniques Workshop, Private Voice Coaching; UCLA, Northwestern University, Vienna Conservatory, Broadway
Ron Cohn - Director, Manager, Producer; Mabel Mercer Foundation
Eric Comstock - Sing the Truth, Pianist,
Vocalist; Birdland, The Oak Room, Carnegie Hall; Co-Creator of Our Sinatra
Bradley Dean - Private Voice Technique, Actor,
Vocalist; Broadway: “Company,” “Man of La Mancha”
David Epstein - Coaching, Arrangements, Pianist & Accompanist; New York University
Barbara Fasano -
Sing the Truth, Actress, Pop-Jazz Vocalist; Back Stage Bistro Award, MAC Award Winner
Pat Firth - Coaching, Pianist & Accompanist; William Paterson University
Dan Furman - Jazz Pianist, Accompanist and Composer; Oberlin College and Conservatory
Eric Michael Gillett - Private Voice Technique, Musical Theater & Audition
Technique Coaching, Audition & Vocal Performance, Voice Technique; “Kiss Me, Kate,” “Sweet Smell of Success,” “The Frogs”
David Gross - Private Coaching; Pianist, Arranger, Conductor, Musical Director For Many Top Names in Show Business
Mary Cleere Haran - Private Coaching; Singer,
Writer; Lincoln Center, Rainbow & Stars, Feinstein’s at the
Regency, Doris Day: A Sentimental Journey
Jerome Harmann-Hardeman - Beyond
The Classroom; Broadway, off-Broadway, TV and Film
Johnny King - Cabaret Workshop,
Get Your Act Together; Cabaret Direction, Performance Coach, Stage Direction; Broadway Director, “We’ll Meet Again”
Larry King - Pianist, Accompanist, Coach;
Julliard, The Oak Room, The Larry King Orchestra
Terri Klausner - Broadway Singer, Dancer, Actor; “A Chorus Line,” “Sophisticated Ladies,” “Evita”
Phillip Kirchmann - Accompanist, Private Coaching
Katya Kortny - Private Voice Lessons, Performance
Coach, Voice Technique; Singer; Star of the Moscow Operetta Theatre
Ralph Lane - Arrangements, Pianist; Pianist & Arranger, NBC Comedy Hour
Laurel Massé - Private Coaching; Grammy Winner, The Manhattan Transfer
Ted Muzio - Leadsheet Workshop; Singer/Pianist, Accompanist and Music Educator
Wendy Russell - Private Voice
Lessons; Singer, Songwriter, Arranger; Birdland
Elizabeth Russo - Private Voice
Lessons, Voice Technique; Singer, Carnegie Hall, Sorg Opera, Pacific Opera
David Shenton - Pianist & Accompanist, Coaching, Arrangements, Orchestration; Back Stage Bistro Award
Ellen Starr - Private Piano Lessons; Pianist, Singer, Coach and Arranger; New York Performing Jazz Artist
Vicki Stuart - Singer, Actor; Star of “Smiling Through”, “We’ll Meet Again”, and NBC’s “Days of Our Lives”
Christopher Temporelli - Private Voice Lessons;
University of Michigan, Weill Recital Hall, Carnegie Hall
Melanie Vaughan - Private Voice Technique, Associate Teacher; Ring of Fire, Parade, "As The World Turns"
Mark Wade - Music Theory & Ear
Training for Singers, Voice Technique & Musicianship Skills; Bassist; New York University
Susan Young - Scholarship Program Coordinator;
Montessori, Pianos, Birdland, Dillon's |
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ANDY ANSELMO
Founding Director, Private Voice Lessons
Mr. Anselmo holds a Master’s degree in voice from The New England Conservatory. He studied with the legendary William L. Whitney, and later developed the voice program at The Lee Strasberg Theatre Institute at the request of Lee Strasberg. His career spans Broadway to London. He received critical acclaim for his performances in THE GOLDEN APPLE, THE MOST HAPPY FELLA, and LEAVE IT TO JANE. His television credits include the JACKIE GLEASON SHOW, JOEY BISHOP SHOW, PHYLLIS DILLER SHOW and MERV GRIFFIN SHOW. Mr. Anselmo was presented the “Mayor’s Award” by Mayor Lindsay for exceptional service to the community for his work with The Everyman Street Theatre Company. His students include Mandy Patinkin, Tony Bennett, Liza Minnelli, Billy Stritch, Maryann Plunkett, Mary Tyler Moore, Geraldine Fitzgerald, Brooke Shields, Joanne Woodward, Mariette Hartley, Regis Philbin and other stars.
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DON REBIC
Artistic Director
Don was trained as a classical pianist at Indiana University, where he studied with the internationally renowned concert pianist Abbey Simon. While at Indiana, Don became interested in Jazz and was taken under the wing of jazz pedagogue David Baker. Upon graduating with a degree in piano performance, he moved to New York City, and within a year was conducting his first show on Broadway, Jesus Christ Superstar. Since then, he has enjoyed a busy career as a conductor, pianist, and composer. Don has found success on Broadway, the national stage, and television, as an accompanist, musical director, performer and teacher, in classical music, jazz, popular music, and movie and television scoring. He has worked with such artists as Peggy Lee, Barbara Cook, Mary Cleere Harran, Karen Akers, Betty Buckley, Leslie Uggams, Chita Rivera, John Williams, Ricky Martin, and Jose Carreras.
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Angelique von Thun
School Administrator
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Robin Aleman
Private Voice Lessons; Fordham University
A native of New York, Robin Aleman’s smooth vocals have been engaging audiences for the past 5 years. She has been performing steadily in the tri-state area, filling houses wherever she plays with her original arrangements. After graduating from Fordham University, where she took elective classes in music theory and musical theater, Robin began studying voice with Phil Campanella. She has studied with a number of jazz artists, including Dena DeRose, and has been a participant at workshops held by Barry Harris and Tierney Sutton. Robin’s debut CD – entitled Tonight – was released August 8th, 2005 and features classic standards by a wide variety of songwriters: - Brubeck, Jobim, Monk and Ellington, to name a few. In addition to working with her own quartet, Robin performs with a Latin band, “Dos”, along with fellow singer Angelique von Thun. Their repertoire encompasses many Latin styles, including salsa, Brazilian jazz and classic boleros. She also enjoys work as a studio singer and voice over artist.
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Jad Bernardo
Private Coaching, Accompanist; University of Tennessee, Florida State University, Carnegie Hall
A versatile and accomplished pianist, Jad C. Bernardo, has appeared on stage as both concert pianist and accompanist. He holds an M.M. in piano accompanying from the University of Tennessee and a B.M. in Piano Performance from the Florida State University. Private teachers and coaches have included James Streem, Ruben Malan, David Northington, Christy Lee, George Darden, Ken Griffiths and Leonard Mastrogiacomo. As a pianist, Jad has received first place prizes and awards in numerous piano competitions and has performed many recitals as a soloist. Jad has been active as a recitalist for countless vocal and instrumental recitals and has accompanied faculty from both Florida State University and University of Tennessee on new music symposiums and concert tours. He has served as the principal coach for Puccini's Suor Angelica, Donizetti's Lucia di Lammermoor, Menotti's The Telephone and accompanied New York City Opera baritone Scott Guinn in the Metropolitan Opera Auditions and recital. Mr. Bernardo has also musically directed/conducted for Dinner Theatre at the Mansion (Stockbridge, MA), Northern Stage (White River Junction, VT), and The Bijou Theatre (Knoxville, TN) to name a few. Musical direction credits include, Ain't Misbehavin', Evita, Five Guys Named Moe, Dreamgirls, The Sound of Music, and Oklahoma! In 2004, he coached the Grammy Award Winner, Nathan Best. Jad recently musically directed Extraordinary, Winner – Best music and lyrics for 2005 International Fringe Festival. Currently, Jad is coaching and accompanying at NYU and accompanies Broadway performers for NY-OFFSTAGE. He will appear in concert at Weill Recital Hall with Soprano Denise Dyce in June 2006.
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John Capes
Voice Technique & Musicianship Skills, Performance Techniques Workshop, Private Voice Coaching; UCLA, Northwestern University, Vienna Conservatory, Broadway
Since receiving his training at UCLA, Northwestern University and the Vienna Conservatory, John Capes has been entertaining audiences throughout the US and Europe in the theater and on television. In the US, his roles have included Claquesous in Les Miserables on Broadway, Simeon in the National Tour of Joseph and the Amazing Technicolor Dreamcoat, Gabriel in the National Tour of Kiss of the Spider Woman with Chita Rivera, and Tony in Master Class in San Francisco.
European audiences have had the pleasure of seeing John’s performances in such roles as Bill Starbuck in 110 in the Shade in London, Gabriel in the Kiss of the Spider Woman in Vienna, The Phantom in The Phantom of the Opera in London’s West End, Jim Townsend in Strike Up the Band in London – both in the theater and on BBC Radio 2, Nick Wedge in Scam in London, Reed in Murderous Instincts in London, and Herrmann in Candide at the Innsbruck Summer Festival.
His television credits include Curb Your Enthusiasm, Holby City on BBC, History File on BBC, Kennedy Center Honors, Great Performances on PBS, and Bernstein’s Mass on ORF.
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Ron Cohn
Director, Manager, Producer; Mabel Mercer Foundation
Ron Cohn’s multifaceted cabaret career encompasses the role of performer, manager, director, coach, teacher, producer and publicist. He managed Julie Wilson, Jane A. Johnston and Baby Jane Dexter. He recently wrote, directed and performed in several critically acclaimed shows in Chicago, New York, and Palm Beach including “An American Romance”, The Songs of Irving Berlin, and “Circle of Friends.” He directed “The Lady in Red” benefit for the Joffrey Ballet, “Across a Crowded Room”, a Richard Rodgers Celebration, “Turn on the Heat” with Jeanne Resua, Joanne Tatham in “Chester, The Music of Jimmy Van Heusen” and “Songs That Led Me Astray”, and “Undecided” starring Austin Pendleton and Barbara Blier. He also directs the cabaret acts of Joan Curto, Shelley MacArthur and Nadine Camden. Ron is a director of the Mabel Mercer Foundation and, in addition to producing the evenings honoring Margaret Whiting and Julie Wilson, has assisted Donald Smith in the production of the Foundation’s Cabaret Convention. He has produced over 60 shows, in venues ranging from the Triad and the Ballroom to the Russian Tea Room, to benefit many worthy organizations including Hearts and Voices, PWAC-NY and the Eugene O’Neill Theater Center. For seven years he was a master teacher at the O’Neill Cabaret Symposium.
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Eric Comstock
Sing the Truth; Pianist, Vocalist; Birdland, The Oak Room, Carnegie Hall; Co-Creator of Our Sinatra
Eric Comstock, pianist, vocalist, arranger, writer, and raconteur, has starred since November 2004 at the legendary jazz club, Birdland, in Singing Astaire: A Fred Astaire Songbook (“superb” -- New York Times) which he co-wrote with Christopher Gines and Hilary Kole. Eric’s third and latest CD, No One Knows, is a refreshing mix of standards and rarities by Duke Ellington, Benny Carter, Stephen Sondheim and other masters of pop and jazz. Solo New York engagements include Lincoln Center’s American Songbook series at the Kaplan Penthouse, Birdland, Iridium, The Oak Room at the Algonquin Hotel, Feinstein’s at The Regency and The Supper Club. Concert appearances include Carnegie Hall (2003 JVC Jazz Festival), Alice Tully Hall, Merkin Hall, Town Hall and the 92nd Street Y’s “Jazz in July” festival, directed by Dick Hyman. Eric is the co-creator of Our Sinatra, which has run over 1,300 performances Off-Broadway, and Made for the Movies: A Hollywood Songbook. He has been featured on CBS’s Early Show, CNN’s Showbiz Today, National Public Radio’s Fresh Air with Terry Gross and JazzSet with Dee Dee Bridgewater, and Public Radio International’s The Next Big Thing with Dean Olsher. In Rex Reed’s words, “Eric Comstock is keeping a cherished tradition alive for a new generation.”
Artist website: www.ericcomstock.net
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Bradley Dean
Private Voice Technique; Actor, Vocalist; Broadway: “Company,” “Man of La Mancha”
Bradley most recently appeared on Broadway in the Tony Award winning revival of Company. Other
Broadway/NYC credits include Man of La Mancha, Jane Eyre, The Big Time,
and Harmony. He has performed in the national tours of Evita (Che) directed by Hal Prince and Spamalot
(Sir Galahad) directed by Mike Nichols. Internationally, he starred as Dr. Frank N. Furter in The Rocky Horror
Show in over a dozen countries. Regional highlights include Falsettos, No Way to Treat a Lady, The Caretaker, Loot,
and the title roles in Phantom, The Scarlet Pimpernel, and Macbeth at such theaters as Papermill
Playhouse, The Alliance, St. Louis Rep., Barrington Stage, and Pittsburgh CLO. Bradley is a graduate of Carnegie
Mellon and currently resides in New Jersey with his vastly better half, Eileen, and their children, Emma, Age 5, and Oliver, Age 2 months.
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David Epstein
Coaching, Arrangements, Pianist & Accompanist; New York University
After a two-year stint at NYU’s prestigious Tisch School Of The Arts acting program, David transferred his major to Jazz Performance, quickly rising in the ranks of NYU’s Jazz department and graduating with the Jazz Student Of The Year Award in 2000. It was also through NYU that he landed his first major gig – a weekly duo engagement before the main show at the world-famous Birdland jazz club. Not only did he learn vast amounts from constantly watching and absorbing all of that great music, week in and week out, but in March 2000, David led a trio that opened for a Lee Morgan tribute band, including Tom Harrell, Terell Stafford, Brian Lynch, David Hazeltine, Lonnie Plaxico, and Idris Muhammed. And on New Year’s Eve 2000, the David Epstein trio shared the Birdland stage with Little Jimmy Scott’s group.
The next year marked his European debut as a jazz musician, traveling to Vals, Switzerland with a trio of former NYU students. Since then, he has averaged at least two trips a year abroad, having also played in Italy, Greece, and Israel. Past opportunities have included playing with noted singers Carla White and Roseanna Vitro.
David went back to school for a Masters in Jazz Performance. He graduated from SUNY Purchase with highest honors in May 2004, along the way having studied and played with most of their top-notch faculty.
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Barbara Fasano
Sing the Truth; Actress, Pop-Jazz Vocalist; Back Stage Bistro Award, MAC Award Winner
Barbara Fasano is an actress and pop-jazz vocalist, and “one of the coolest singers in town... a singer of restrained but deeply felt emotion” (Time Out New York). “Spellbinding... A beauty to hear and behold” (Daily News), she is regarded as “one of our most astute interpreters of song... hypnotic, superb...” (Cabaret Scenes). Appearing at Jazz at Lincoln Center’s Allen Room in 2006, she was praised for her “smooth performances of 1940's ballads” (The New York Times).. Jazz writer Will Friedwald of The New York Sun calls Fasano, “a charistmatic stylist who effectively channels the living spirits of the great uber-divas Lena Horne and Barbra Streisand.”
Her new Harold Arlen CD, WRITTEN IN THE STARS has been awarded the 2007 BACK STAGE Bistro Award
and the 2007 MAC Award for Outstanding Recording. “With this record, Barbara Fasano proves that she is not just a great Italian crooner, an heir to Sinatra for our time, but a jazz singer of the first rank,” writes David Hajdu, music critic, The New Republic. JazzTimes praises Fasano's “taste, built-in dramatic chops, the ability to manipulate time, and, above all, respect for lyrics." Steven Suskin of PLAYBILL raves, “The good news today is that we now have another Arlen collection that can be played alongside Harold's! Praise the band, and the singer, and thank them for a bluesy, jazzy, swinging album of Arlen.”
Her performances have taken her around the world, and she made her Carnegie Hall debut in 2005, as part of the Harold Arlen Centennial Concert. Other New York engagements include Jazz at Lincoln Center’s Rose Hall, Allen Room and Lincoln Center’s Bruno Walter Auditorium, Birdland, the Oak Room at The Algonquin Hotel, Sardi’s, The Town Hall, Symphony Space, The American Musicals Project at The New York Historical Society, Metropolitan Room, Danny’s, The FireBird Café, The Laurie Beechman Theater, The Duplex, and The Triad. Across the country, she has appeared at Royal Room at The Colony Hotel in Palm Beach, John Drew Theatre at Guild Hall in East Hampton, New York, Sheldon Concert Hall in St. Louis, Kerrytown Concert House in Ann Arbor, Cinegrill in Los Angeles, Odette’s in New Hope, Pennsylvania, Downtown Theatre in Rochester, The Manor in New Jersey, and Prince Music Theatre in Philadelphia.
Ms. Fasano is a 2007 Night Life Award finalist, a three-time MAC Award winner, including
wins for 2007's Outstanding Duo (with Eric Comstock) and Outstanding Female Vocalist, and a three-time BACK STAGE Bistro Award winner. Ms. Fasano is the recipient of the Anselmo Award for Special Achievement. And in 2003, she was honored with Hofstra University’s Estabrook Alumni Achievement Award, whose previous recipients include Francis Ford Coppola, Lainie Kazan and Madeline Kahn.
Artist website: www.humanchild.com
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Pat Firth
Coaching, Pianist & Accompanist; William Paterson University
Pat Firth was raised in Upstate New York in a musical family (both his parents and older brother are musicians).
He began classically studying the piano at the age of 5 and by the age of 12 he was studying and giving recitals at the
local college. At the end of high school he discovered the music of jazz and began apprenticing with local jazz piano
legend Lee Shaw. At the age of 18, Pat moved to New Jersey to study jazz at the prestigous William Paterson University
(earning a BM in Jazz Performance) where he studied with James Williams, Kevin Norton and Harold Mabern.
Since arriving in the New York City area, Pat has had countless performing opportunities including playing with Chuck Loeb,
Jane Sheckter, Gordon James, Jim Malloy, Trudi Mann and Vicki Stuart while playing all across the U.S. and Europe.
He has also had the pleasure of working on many original music projects. He currently performs, records and/or writes with
the Josh Dion Band, The Bad Touch, Bob Parins and True Love Always, Aggregate, the Jim Saltzman Group and Kristen Maxfield.
Recently, Pat produced and performed on singer/songwriter Laura Hull's debut CD "Hullabaloo" and is currently working on
writing material for his own debut CD.
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Dan Furman
Jazz Pianist, Accompanist and Composer; Oberlin College and Conservatory
Since moving to New York in April of 2003, Dan Furman has been making a name for himself as a jazz pianist and composer. He performs regularly with his trio at Cleopatra's Needle, and leads his original
band, the Primordial Jazz Funktet, at venues around the city including Detour,
55 Bar, and many others. Since 2005 he has been a composer in the BMI Lehman
Engel Musical Theater Workshop. He also
performs and arranges for New York Minute, a top dance and wedding band.
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Eric Michael Gillett
Private Voice Technique, Musical Theater & Audition
Technique Coaching, Audition & Vocal Performance, Voice Technique;
“Kiss Me, Kate,” “Sweet Smell of Success,” “The Frogs”
An acclaimed performer
in his own right, Eric Michael Gillett
has directed a roster of concert and cabaret talent including the Grammy-Award
winning vocalist, Lari White, in her Oak Room debut at the Algonquin
Hotel. Current projects include
international star Karen Akers’ return to the Oak Room with Simply Styne,
which Stephen Holden of the New York Times has called “Extraordinary” and “The cabaret event of the season,” and Jana
Robbins encore presentation of her show, One Hell of a Ride, and KT
Sullivan’s critically acclaimed concert, Autumn in New York. Other artists include Aaron Lee Battle ("Step
Right Up" and "Simple Joys"), Olivia Stevens ("Pleasure and Peril: Songs of
Zarah Leander"), Ron Ramsay ("Go With Me"), Culver Casson ("Island
Magic"), Rita Harvey ("Letting Go") and
Annette Hunt ("The Grace Moore Songbook"), as well as the cabaret debut of Gilligan’s
Island reality show star, Melissa Mason Jones. At Town Hall, Eric directed Broadway Musicals of 1943
(featuring Sally Mayes and Heather
MacRae) and Broadway Musicals of 1957 (featuring Alix Korey and
Tony-Award winner Adriane Lenox), the premiere performances of Scott Siegel’s Broadway
by the Year series. A champion of
new theater composers, Eric directed The Ben Moore Songbook at The
Triad, starring Kerry Butler and Richard Todd Adams, and the Beaux Arts Society
has named him a recipient of the Leonardo da Vinci Award for Excellence for his
direction of the Pat Rasile Songbook, Gift
From the Heart. Eric is also
represented as writer and director of A Song in My Heart: The Jane Froman Songbook for cabaret
artist Valerie Lemon and, in November, 2007, made his Weill Recital Hall
directing and performing debut with the concert, 1907-It Was a Very Good
Year. Eric also directed and
produced the Brownville Concert Series Christmas Show, At Home for the
Holidays, with Melanie Vaughan, Leslie Anderson (MAC and Bistro Award
Winner), and Nancy McGraw (Broadway’s original cast Nine) in December,
2005. Most recent theatrical credits
include the 2006 Carnegie Mellon School of Music production of A Little
Night Music. For the 07/08
season, Eric Michael’s direction will
be represented on the New York cabaret scene by Maureen Kelly Stewart (Heart’s
Desire at the Laurie Beechman) and Anna Bergman (Wherever Love Takes Me
at both Feinstein’s and the Prince Theater in Philadelphia), as well as new
shows for Lari White, KT Sullivan, Karen Akers, and Sheera Ben-David. He will also appear as a performing artist
in his own right with his new show Best of My Love, at the Metropolitan in 2008.
As an acting coach,
Eric has worked privately and in the classroom with students in Los Angeles, Las Vegas, and New York
City. His students and clients have
appeared in all media, including film and television, as well as Broadway,
national tours, and regional theater.
Current workshops in acting technique for the musical theater are ongoing, with new classes forming regularly. As a staff teacher and member of the
artistic council at HB Studio, Eric teaches his popular Acting for the
Musical Theater class, and has also collaborated with KT Sullivan to
teach the studio’s only cabaret performance class. He is also a private coach for vocal and acting technique at
Singers Forum, where his classes in Interpreting Contemporary Pop and Audition
and Performance Technique are ongoing.
A MAC and Bistro Award
winning vocalist, Eric’s own cabaret shows have included Cast of
Thousands-The Songs of Craig Carnelia, It Takes Two-The Duets of Stephen
Sondheim (with Melanie Vaughan), and
his critically lauded collection of radio songs of the past forty years, Hook, Line & Singer. Eric has been seen on Broadway in the
original casts of Kiss Me, Kate, Sweet Smell of Success, and The Frogs. New York audiences have seen him in the the
role of ‘Papa” Denny in Dream a
Little Dream at the Village Theatre, as ‘Richard’ in the York Theater's
workshop of the new musical, The Tutor and in the New York City Opera
productions of Cinderella, The Pirates of Penzance, and Candide. Other off-Broadway credits include Silent
Laughter (Lambs), Good Companions (York), Of Thee I Sing
(Encores), and Time and Again (MTC).
Most recently, Eric received
rave reviews for his performances as “Jacquot” in the Paper Mill production of Carnival
and for his work as “Andrew Wyke” in the Hangar Theatre production of Sleuth. This past summer, he starred as ‘Peron’ in
the Oklahoma Lyric production of Evita, followed by the new off-Broadway
production, Frankenstein, playing the father of Victor Frankenstein, ‘Alphonse.’ He is currently working on the Bridge
Theater Company production of Warning: Adult Content and will soon
return to the stage of the New York City Opera to reprise his role in Candide. Concert and cabaret appearances include the
New Jersey Performing Arts Center, Zankel Hall, Town Hall, Russian Tea Room,
the Gardenia, and many others.
For twelve years, he
appeared as the Ringmaster of Ringling Bros. and Barnum & Bailey Circus,
touring the continental United States and appearing on countless television and radio programs, including the
CBS television special, The Return of Gunther Gebel-Williams and the
Walt Disney Sing-A-Long video, Let’s Go to the Circus. Television appearances include Law &
Order, Ed, and Law & Order: SVU, and he was also seen in
the feature films Maid in Manhattan and The Producers
(on-screen + soundtrack legit
choir). Eric’s current projects include
the new feature film My Brother, starring Vanessa Williams, Jairaj Wallia’s debut short, In the
Foxhole, and an appearance as ‘Moses’ in Comedy Central’s new internet
series, Good God.
Eric’s solo CD recordings include Cast of Thousands-The Songs of
Craig Carnelia (named best solo CD of 1998 by In Theatre Magazine) and Sing
a Rainbow. He also appears on the
original cast albums of Kiss Me, Kate, Sweet Smell of Success, The
Frogs, The Confidence Man,
and Big City Rhythm: The Songs of Barry Kleinbort. Compilation albums include Broadway
Romances Manhattan and Jamie De Roy & Friends: The Child in Me,
as well as Jamie’s 2005 release, When I Grow Up. Visit Eric Michael Gillett at www.ericmichaelgillett.com
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David Gross
Pianist, Arranger, Conductor, Musical Director For Many Top Names in Show Business
Studied music at Juilliard and later received his Bachelor’s degree from New York University. For the past twenty-five years he has worked as a conductor, pianist, arranger and composer for many of the top stars in show business. He has been or is still working as the personal conductor for Suzanne Sommers, Englebert Humperdinck, Rod McKuen (just recently at Carnegie Hall, April ‘03), Eddie Fisher, Sandler and Young, Bobby Vinton, Theodore Bikel, Claire Barry (of the Barry Sisters), Jerry Vale, Suzette Charles, Andy Kaufman, Leslie Uggams and the late Billy Daniels to name just a few. Along with being the Musical Director for “City Lights”, “Singing in the Rain”, “Bye, Bye Birdie” and “Applause” in Atlantic City, in Reno, Nevada, he was the Musical Director for “Razzle Dazzle” and audiences in Los Angeles saw him conduct the L.A. production of the Broadway classic, “Oliver” with Dick Shawn, Shani Wallis and Stubby Kay. As pianist, David has performed with Shirley Bassey (including her acclaimed Carnegie Hall, Boston Symphony Hall and Lincoln Center appearances), Pavarotti, Andreas Bocelli, Gladys Knight and the Pips, Leah Salonga, Michael Crawford, Tony Orlando, Milton Berle, Red Buttons, Sid Caesar, Fyvush Finkel (including his acclaimed “From Second Avenue To Broadway” revue), Vic Damone, Al Martino, Phylis Diller, Donald O’Connor, Lainie Kazan, Clint Holmes, Smokey Robinson, Phylis McGuire, Charo, Frank Gorshin and Vicki Carr among others. David especially enjoys guest conducting “POPS” which he has done with the Toledo Symphony, Worcester Symphony, Boca Raton Pops, Sacramento Symphony, Nassau County Pops, Ocean City Pops, Nevada Pops, Nelson Riddles’ Orchestra, and most recently performing as the opening act for Josh Groban.
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Mary Cleere Haran
Private Coaching; Singer: Lincoln Center, Rainbow & Stars, Feinstein’s at the Regency; Writer, researcher: PBS Specials including Remembering Bing, Irving Berlin’s America, and Doris Day: A Sentimental Journey.
Mary Cleere Haran, one of the most renowned singers of “The Great American Songbook”, has garnered rave reviews from audiences and critics alike for her witty, sophisticated performances. She has performed at some if the most prominent venues in the country, including Lincoln Center, Rainbow & Stars, The Russian Tea Room, The Cinegrill in Los Angeles, The Plush Room in San Francisco and the Bellevue Hotel in Philadelphia. She also boasts an impressive list of theater credits, making her Broadway debut in “The 1940’s Radio Hour” and appearing Off-Broadway in “Manhattan Music”, “Swingtime Canteen” and “Heebie Jeebies”. On TV, she had a recurring role on Sidney Lumet’s drama “100 Centre Street” on A&E.
In addition to her illustrious performing career, Ms. Haran is a respected writer and researcher who has brought her talents to numerous PBS specials, including “Remembering Bing”, “Irving Berlin’s America”, “When We Were Young: The Lives of Child Movie Stars”, “Satchmo”, a documentary about Louis Armstrong and “Doris Day: A Sentimental Journey.” She was one of a select group asked to write on Frank Sinatra’s death in The New York Times.
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Jerome Harmann-Hardeman
"Beyond The Classroom" Performance Workshop; Broadway, off-Broadway, TV and Film
Jerome has directed and choreographed many productions including “Salute to
Gershwin”, “The Rocky Horror Picture Show”, “The Long Dance”, “Artists for a
Cure” for Children’s Cancers, “A Little Help From My Friends” Aids Hilfe
Germany, and for “Caritas International.” He was an Anselmo Achievement Award
winner in 2004. As an actor/singer some of his favorite productions were
“Swing", with Ann Hampton-Callaway, “Kiss of the Spiderwoman” with Chita
Rivera, “Dreamgirls”, where he played Curtis Taylor with Aisha De Haas, as well
as Coalhouse Walker, Jr. in “Ragtime”, Horse in “The Full Monty”, Paul in “Kiss
Me Kate”, AGWE in “Once on this Island”, Simeon in “Joseph and the Amazing
Technicolor Dreamcoat”, Macavity and Alonzo in “Cats”, Adrian in “Smokey Joe’s
Café”, Simon Zealots in “Jesus Christ Superstar”, and Nomax and Four Eyed Moe in
“Five Guys Named Moe.” He's also appeared on film, television and commercials.
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Johnny King
Cabaret Workshop; Cabaret Direction, Performance Coach, Stage Direction; Broadway Director, “We’ll Meet Again”
Mr. King began his career as a child actor and moved on to perform in Broadway musicals, television and nightclubs. He starred in the international and national tours of STOP THE WORLD I WANT TO GET OFF and ON THE TOWN, recorded for Dot Records and appeared on Dick Clark’s AMERICAN BANDSTAND and in major supper clubs throughout the United States. Off-Broadway, at the Nat Horne Theatre, he produced James Lecesne’s ONE MAN BAND and the musical I TAKE THESE WOMEN and directed Noel Coward’s SHORT VISIT ONLY and SHARON’S GRAVE, the latter co-directed with Geraldine Fitzgerald at Playhouse 91. He also directed Ms. Fitzgerald in a version of her solo show, STREET SONGS. Mr. King directed the critically acclaimed Off-Broadway show WE’LL MEET AGAIN starring Vicki Stuart.
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Larry King
Pianist, Accompanist, Coach
Larry King is an accomplished singer/pianist, bandleader and musical director who has performed over four decades at top music venues including Danny’s Skylight Room, The Rainbow Room, The Oak Room, The Supper Club, The Grand Ballroom at the Waldorf-Astoria and many others. His booking agency, Larry King Productions, provides bands, orchestras, DJs and a variety of entertainment for private parties and special events and is associated with leading hotels, restaurants and clubs such as The Algonquin, The Metropolitan Club, Twenty Four Fifth, The Lotus Club, Le Parker Meridien, The Hudson, The Regency and many others. The Larry King Orchestra has performed for a variety of significant events like the 50th Anniversary of CBS News, the 100th Anniversary of the Jewish Home and Hospital, The Cable and Broadcasting Hall of Fame, and parties for Tim and Nina Zagat of the Zagat Survey. Corporate clients include Calvin Klein Cosmetics, JP Morgan Chase, Wachovia Securities, New York University, and The Real Estate Board of New York. He studied piano with John Mehegan, voice with Phil Campanella and John Mace and holds a B.A. in French, and an M.B.A. in Marketing with a concentration in arts management from the Stern School of Business at NYU. He also studied piano at the Juilliard School.
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Phillip Kirchmann
Accompanist, Private Coaching
Phillip Kirchmann is a native of Texas where he began his accompanying pursuits accompanying for the opera program at the University of North Texas where operas he worked on
included Cosi fan tutte, The Turn of the Screw, L’Amour des Trois Oranges, and Ariadne
auf Naxos. After a lengthy hiatus from academia, Phillip returned to music and enrolled at the University of
Notre Dame in Belmont, California where he studied with Thomas LaRatta, receiving his BM in piano performance in 2003. While at Notre Dame, Phillip was Musical Director and performer for
Sondheim’s Into the Woods, Purcell’s Dido and Aeneas, and Offenbach’s Orpheus. Mr. Kirchmann attended the Music Academy of the West in Santa
Barbara, California in the summers of 2002 and 2003, working with such notables as Warren Jones, Marilyn Horne, and Lotfi Monsouri. In addition to master classes and scenes programs, Phillip
accompanied the productions of Albert Herring and Le Nozze di Figaro. Phillip is currently attending the
Manhattan School of Music where he studies with Warren Jones. He has music directed the NYC premier of Milton Grainger’s The Proposal and
accompanied Bernstein’s Trouble in Tahiti and Menotti’s The Old Maid and the Thief. Phillip has performed in master classes with Warren Jones, Marilyn Horne, Lotfi
Monsouri, Bo Skhovus, and Martin Katz. Phillip accompanied Ms. Deborah Domanski in recital in November of 2004 in Brownville, Nebraska for the Brownville Concert Series and the Aemes Town and
Gown Chamber Music Association in Aemes, Iowa in conjunction with the Marilyn Horne Foundation. In the 2004 Summer season, Phillip was Music Director at the New London Barn Playhouse in New
London, New Hampshire where he directed I Love you, You’re Perfect, now Change, Seven Brides for Seven Brothers, Annie,
The Sound of Music, A Chorus Line, and The Music Man. Summer 2005, Phillip was Musical Director at the Mac-Haydn Theatre in Chatham, NY where he directed
Nuncrackers, The Student Prince, Carousel, 42nd Street, Copacabana, La Cage aux Folles, and
Brigadoon. He will be returning to Chatham and the Mac-Haydn theatre this summer as Music Director for the 2006 Summer season. Phillip was assistant conductor for
Connecticut Grand Opera’s recent production of La Boheme and accompanist for Gotham Chamber Opera’s production of Albert Herring. Phillip continues his
career pursuits in NYC as recitalist, opera coach and music director in the Musical Theater venue.
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Terri Klausner
Broadway Singer, Dancer, Actor; “A Chorus Line,” “Sophisticated Ladies,” “Evita”
Terri Klausner has been seen by audiences across America in such
dazzling productions as A CHORUS LINE, SOPHISTICATED LADIES, and EVITA. While
appearing in A CHORUS LINE, she was chosen to play Eva Peron in EVITA and did so
in the musical’s premiere performance at the Dorothy Chandler Pavillion in
Los Angeles. She continued in that role in all the matinees for the Broadway Company. She
co-starred in both the Broadway and Los
Angeles productions of SOPHISTICATED LADIES. Ms. Klausner
has entertained in London, Rio, Las Vegas and on American
Television. She has sung at the White House, Carnegie Hall and as a headliner in
New York’s top nightclubs. Royalty of Europe applauded her talent at the Grande Prix gala at the
Sporting Club in Monte Carlo. For her concert and nightclub word, she received
two nominations for the National Academy of Concert and Cabaret Arts. New York
audiences saw her in Sheffer & Poul’s NEW TUNES, and Cryer & Ford’s HANG
ON TO THE GOOD TIMES, both at the Manhattan theatre Club; after which she
appeared at the Village Gate in Harry Chapin’s LIES AND LEGENDS. Terri was seen
in WHAT A SWELL PARTY! THE COLE PORTER REVUE at the prestigious Rainbow and
Stars. Terri established a relationship at the Vineyard Theatre in Polly Pen’s
productions of GOBLIN MARKET and BED AND SOFA ( Drama Desk Award
Nomination, New York Drama League Award, Obie Award ). Her work in THIS
LIFE: THE SONGS OF PORTIA NELSON garnered a Bistro Award. She has made numerous
appearances at the 92nd St. Y in the LYRICS AND LYRICIST Series and
her voice is heard in numerous recordings and cast albums. She celebrated the
songs of Stephen Sondheim with Rob Kapilow in the Celebrity Series “WHAT MAKES IT GREAT?” She is
collaborating with Diane Coupe’ Frankel and Bill
Hastings in developing Coupe’ Theatre Studio’s Musical Theatre
Program and Performance Ensemble. Most recently, she has presented her solo act
under the direction of Steve Marzullo at The Duplex and this Fall at the
Metropolitan Room in New York.
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Katya Kortny
Voice Technique; Private Voice Lessons, Performance Coach; Singer, Star of the Moscow Operetta Theatre
Ms. Kortny studied at the Moscow Academy of Theatrical Arts, and was the star pupil of M.B. Mordvinoff and T. Yanko. She was invited to work in many Soviet musical venues, but chose to perform at the Moscow Musical and Operetta Theatre. There, she spent twenty years developing her talent and became one of the theatre's favorite stars. Katya starred in operetta classics such as FLEDERMOUSE, COUNTESS MARITSA, FRASKITA, MERRY WIDOW, SILVA, A TRIP TO THE MOON, and BLUE BEARD, as well as the musicals HELLO, DOLLY! and MY FAIR LADY. Katya has performed at Carnegie Hall's Weill Recital Hall (1992) and with Russian musical tours in New York, New Jersey, Boston, Philadelphia, Washington D.C, and other cities. While still in Russia, she taught acting skills for several years in the Moscow Drama Studio. Katya also acted as the Russian Song Vocal Coach for Fordham University's well-received production of THE THREE SISTERS in 2001. Recipient of the award "Honoured Artist of the Russian Federation" and a member of the All Russian Theatre Society, Katya joined Singers Forum in 1999 to teach voice technique and performance skills.
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Ralph Lane
Arrangements, Pianist; Pianist & Arranger, NBC Comedy Hour
Mr. Lane is an accomplished conductor, pianist and arranger and has performed with a variety of orchestras, on TV and Radio, at the Colony, Metropolitan and Cosmopolitan clubs and at industrial shows. His television appearances include THE ARTHUR MURRAY SHOW, NBC COMEDY HOUR, and WINDOWS OF THE WORLD. Mr. Lane has performed with the Lester Lanin, Bill Harrington, Emil Coleman and Peter Duchin Orchestras. Mr. Lane recorded “THE LONESOME GAL ALBUM” with King Records.
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Laurel Massé
Private Coaching; Grammy Winner, The Manhattan Transfer
Laurel Massé, founding member of Grammy award-winning vocal
group Manhattan Transfer, toured internationally for seven years with the group
and recorded five albums. In 1979, a
serious automobile accident forced her departure. After two years of
convalescence, she began touring again both in the United States and in Europe.
She has released four solo CDs. The first two, Alone Together and Easy Living,
both hit the Billboard Jazz charts; the third, Again, was a People magazine
pick. Feather and Bone, her 2000
release, was picked by audiophile magazine The Absolute Sound as "a
recording of extraordinary musical and sonic value".
In the course of her career, Laurel Massé has performed at such prestigious
venues as Carnegie Hall, the London Palladium, Salle Pleyel de Paris, the
Hollywood Bowl, The Smithsonian Institution; jazz festivals in Montreal,
Chicago, Woodstock, Syracuse, Detroit and Saratoga Springs; the clubs Birdland
and the Blue Note in New York City, The Roxy Nightclub and The Cinegrill in Los
Angeles, Chicago's Green Mill, and Harrah's, Caesar's Palace, MGM Grand, and
the Hilton in Las Vegas and Lake Tahoe. She has also appeared numerous times on
television and radio.
Since 2002 she has been host and resident artist of The Laurel Massé Jazz Show,
a monthly live concert performance program broadcast by WAMC Northeast Public
Radio to a listening audience of 500,000.
Ms. Massé also teaches master classes in song interpretation and improvisation
for both professionals and amateurs in jazz and cabaret. In 2004 she joined the faculty of The
Cabaret Conference at Yale.
In 2004 she was recognized for her contribution to music when she, along with
the four current members of the Manhattan Transfer, received the prized
"MAC" (Manhattan Association of Cabarets and Clubs) Lifetime
Achievement Award.
"One of the two or
three best female jazz singers this side of Ella" - Lloyd Sachs, Chicago Sun Times
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Ted
Muzio
Leadsheet Workshop; Singer/Pianist, Accompanist, and Music Educator
Ted Muzio, B.S., M.A., Ph.D., is a well-known and highly respected New York area singer/pianist, accompanist and music educator. He has a wide range and depth of experience in the performance and teaching of Classic pop singing. He taught voice classes in the Adult Continuing Education Department at St. John’s University from 1990 to 1995 and has an extensive private teaching practice. He has performed in many restaurants, cabarets, and concert venues in the tri-state area, including regular stints at Danny’s Skylight Room, The Firebird and the Gramercy Park Hotel. He is a member of the New York Singing Teachers’ Association and The National Association of Teachers of Singing (NATS). His CDs, Ted Muzio Plays and Sings 3 A.M., and Dance have been well received and acclaimed.
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Wendy Russell
Private Voice Lessons, Scholarship Program; Singer, Songwriter, Arranger
A native New Yorker, Wendy Russell began her musical/singing career at the age of 8 as a soloist in Riverside Church’s children’s choir. By age 11 she was recording educational albums for Holt Reinhardt & Winston’s Triton Records Division. A songwriter and arranger, her music has been featured on the television show ‘One Life to Live’. She has performed at Birdland, Don’t Tell Mama’s, Danny’s Skylight Room, the Duplex, The Actor’s Playhouse, Westchester Broadway Theatre & various other venues in and around NYC.
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Elizabeth Russo
Voice Technique, Private Voice Lessons: Singer, Carnegie Hall, Sorg Opera, Pacific Opera
Elizabeth Russo is an award winning Mezzo-soprano who is well known for her powerful voice and strong stage presence. In 2004 she received the James Humphriville Vocal Award for excellence in voice and music. She has performed the dramatic Verdi roles of Amneris, Azucena, and Maddelena and Wagner’s Waltraute, Fricka, Erda, and Wellgunde. Ms. Russo also enjoys the comic Gilbert & Sullivan contralto roles such as Lady Jane from Patience, which she performed with Sorg Opera. New York companies include The Richmond County Orchestra and Riverside Opera; Pacific Opera; New York Opera Productions and the Albany Symphony at Shaker Mountain Festival.
As a recitalist Elizabeth has performed the song cycles of Mahler, Schumann, Brahms, Elgar and Berlioz. In 2004 she presented her solo recital at the Marian Anderson Hall in Danbury,
CT to rave reviews.
Ms. Russo has an extensive teaching career not only at Singers Forum, but also in her CT studio where she continues to dedicate herself to instructing students of all ages and levels in the art of
bel canto singing. Elizabeth taught Musical Theatre at Fordham University; The Lee Strasburg Institute; The Pulse Ensemble Theater; The Connecticut Conservatory and The School of Performing Arts. She attended Western Connecticut State University majoring in voice and piano and theater and currently works and performs with pianist and conductor Eric Trudel.
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David Shenton
Pianist & Accompanist, Coaching, Arrangements, Orchestration; Back Stage Bistro Award
UK born David Shenton is an accomplished pianist,
violinist, composer and arranger. From 1993 to 1997
David studied at the Royal College of Music in London
from where he graduated with the highest of honors.
As a classical accompanist David has played for master
classes given by Pinchas Zukerman, James Galway and
Emma Kirby. He was also a regular accompanist at The
Royal Opera House, Covent Garden. In popular music,
David has played for Petula Clark, Ann Crumb and Carol
Ann Page. In December 2006 David opened as jazz
pianist for Tony Bennett for his NYC engagement.
David has composed 5 musicals, which have premièred in
New York. He is also the composer of more than 100
original works including everything from short piano
pieces to full scale orchestral works.
David has worked as an orchestrator/arranger at Abbey
Road & CTS Studios (London), Hollywood movies, West
End, Broadway & Off-Broadway shows. His arrangements
can also be heard onboard the QE2 and QM2 cruise ships
and his jazz arrangements can be heard in cabaret
shows all over the USA and Europe. In 2004 David
wrote his first short film score, Beauty, written by
Hollywood screenwriter Franc. Reyes (Empire, The
Ministers).
David has recently recorded his first solo piano jazz
album, Sunnyside Blues. He also appears frequently in
NYC jazz and cabaret clubs as M.D. and accompanist.
www.shentonmusic.com
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Ellen Starr
Private Piano Lessons; Pianist, Singer, Coach and Arranger; New York Performing Jazz Artist
A native New Yorker and graduate of Oberlin College, Ellen Starr began her performance career as a jazz pianist and singer,
but quickly became highly sought after in the world of commercial records and radio and television advertising. Among her many
successes, she wrote an award-winning Pepsi jingle, and arranged an Aretha Franklin album for Columbia Records and a hit single
for singer Ronnie Dyson of the Broadway musical Hair. Thankfully for jazz lovers, she returned to live performing a few
years ago and leads her own quartet, playing regularly at 55 Bar, Sweet Rhythm and other well-known jazz clubs in New York. A talented
composer as well as arranger, singer and pianist, Ellen's original composition, "Starrburst" was recorded by Houston Person on his album Blue Oddysey. She currently studies jazz piano with Kenny Barron.
"There are many 'good' singers but very few special ones... Ellen has a fantastic voice, she kicks butt as an arranger and pianist, and has wonderful taste in repertoire, featuring songs by new composers... as well as re-presenting some of the standards... she's my personal nomination for talent deserving of wider recognition." - All About Jazz, 2005
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Vicki Stuart
Singer, Actor; Star of “Smiling Through”, “We’ll Meet Again”, and NBC’s “Days of Our Lives”
Imported to the U.S. from London, England where she was born and trained, Vicki Stuart has enjoyed a successful career encompassing theater, television, concerts, recordings, and nightclubs from London to Las Vegas. Here theatre credits include We’ll Meet Again (off-Broadway award-winning one-woman show), Primary Stage and York Theater NYC, Doral Theater, Miami Beach, Smiling Through, Theater Four NYC, Matrix Theater Los Angeles, Pennsylvania Stage, Emelin Theater, Westchester NY. She starred opposite Jim Dale in the premier US production of The Invisible Man, Cleveland Playhouse. Vicki appeared in the original workshop of Cy Coleman’s Exactly Like You at the Westbeth Theatre in NYC. She had a starring role in Noel Coward’s A Short Visit Only at the Commodore Theater in NYC. Other one woman shows include “Typically English” and “A Touch of Class”, both in NYC. Vicki completed a long stint as the scene-stealing Violet Crumb on NBC’s Days of Our Lives. Her other TV credits include The Tonight Show, Paul Anka Show, NBC’s Music Hall Series and Vicki Stuart Show on cable TV.
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Christopher Temporelli
Private Voice Lessons; Singer, Toronto Opera
Acclaimed by Toronto’s The Globe and Mail as "clearly one
to watch" and "the total package—a good looking singer with
a strong, resonant voice," American Bass Christopher
Temporelli is quickly gaining recognition in the world
of opera, concert and recital.
This season, Mr. Temporelli
made his Canadian debut at Opera Atelier in Toronto
performing the role of Neptune in Monteverdi’s Il Ritorno
d’Ulisse in Patria, for which he was hailed by the Toronto
Eye Weekly as "physically and vocally imposing." Mr.
Temporelli’s upcoming engagements include Pistola (cover)
in Verdi’s Falstaff with New York City Opera and Dottore
Grenvil in Verdi’s La Traviata and Betto in Gianni
Schicchi/Buoso’s Ghost at Lake George Opera.
Mr.
Temporelli has appeared with Glimmerglass Opera, Fort
Worth Opera, Pine Mountain Music Festival, Bronx Opera
and Seagle Music Colony. In New York City, Mr. Temporelli
has performed at Carnegie Hall, the Hudson Theater, the
Columbus Club, Symphony Space, and the Liederkranz
Foundation.
Mr. Temporelli is a recipient of the Rislov
Foundation Grant, the Franco Zefferelli Fund for the Arts
(for which he was recognized on a live New York broadcast
to the 2007 San Remo Festival in Italy, which was then
programmed internationally on the RAI network) and is the
2006 winner of the Norman Carlberg Award from the
Liederkranz Foundation. Mr. Temporelli received the
Doctor of Musical Arts degree in Voice Performance from
the University of Michigan working with opera luminaries
Shirley Verrett and George Shirley. He pursued additional
studies at the Hochschule für Musik in Freiburg, Germany,
appearing at the Haus zur Lieben Hand during his residence
there. Also a gifted pianist, Mr. Temporelli has performed
repertoire for solo piano in recital at music festivals
in London, England, as well as at the Moscow and St.
Petersburg Conservatories in Russia.
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Melanie Vaughan
Private Voice Technique, Associate Teacher; Ring of Fire, Parade,
"As The World Turns"
Melanie Vaughan has appeared in the original casts of ten
Broadway shows, including RING OF FIRE, PARADE, SUNDAY IN THE PARK WITH GEORGE
and ON THE TWENTIETH CENTURY. She has been a soloist with New York City Opera,
the Omaha Symphony, at Madison Square Garden, Town Hall, Avery Fisher Hall, the
United Nations and Radio City Music Hall. Melanie toured nationally with
SWEENEY TODD, JERRY'S GIRLS and JEROME ROBBINS' BROADWAY and spent three months
in Barcelona as Jasmin Munchgstettner in the world premiere of BAGDAD CAFE: THE
MUSICAL. Her regional credits include the Old Globe Theater, Pittsburgh Public
Theater, The Human Race Theater, Virginia Stage Theater, the O'Neill Theater
Center and Goodspeed Opera House. Television
credits include LAW & ORDER and AS THE WORLD TURNS.
Melanie graduated from Louisiana State University with
a Bachelor's Degree in Vocal Performance. She studied bel canto
technique with Dr. Corbelita Astraquillo and Dr. Earl Redding and has continued
to study voice and acting in New York. She has been a Guest Artist/Lecturer for
NYU's Music Education program, HB Studios.
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Mark Wade
Music Theory & Ear Training for Singers, Voice Technique & Musicianship Skills; Bassist; New York University
Mark Wade is a professional bassist working in the NYC area. He graduated from New York University in 1997 Magna Cum Laude, National Music Honor Society. Since that time, he has performed with a wide variety artists. Mark has appeared on the Today Show with jazz vocalist Stacy Kent. For two years, he performed weekly at Birdland. Mark performed the 2001-2002 season with the Key West Symphony Orchestra, which included performances with Grammy winners Sharon Isbon and Robert McDuffie. Mark Wade is currently Principal Bassist with the 92nd Street
YMCA Orchestra, a position he has held for 4 years. For his performance of “Ice Island”, a theatre piece for seven actors and solo double bass, the New York Times reviewed “..hauntingly played by Mark Wade.” Mark played for the Broadway show “It Ain’t Nothin’ But The Blues.” Mark also recorded with pop legend Neil Diamond. He can currently be seen leading his own group at Cornelia Street Cafe.
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Susan Young
Scholarship Program Coordinator
Susan Young is from California with a B.A. in Communication Arts.
She is a former member of the After Dinner Players Repertory Theater and has
performed with ensembles throughout the U.S. and abroad. Recently she was a
soloist in the Off-Broadway review, Merry-Go-Round and produced a showcase of
jazz standards, show tunes, original and gospel. She has performed at Pianos,
Birdland, Dillons, and Cleopatra’s and as a soloist in several churches in
Manhattan. She has recorded for television, film, and on numerous CD projects.
With an extensive background in Education, she has taught in Montessori,
Classical, and Private Schools. She is currently supervising Singers Forum's Youth
Scholarship Program where she teaches Level 1 Choir and Vocal Performance.
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